Wednesday, July 21, 2010

Maasai Exhibit Closing Soon!


Don't let this exhibit pass you by! The summer exhibition at the gallery, "Through Our Eyes: An Exhibit of Maasai Photographers", will close with a reception on August 6, 2010 from 6:00-9:00 p.m. Visit the website for more information. ValhallArts.com (All images copyright of the the artsits.)
Photo Credit: "Children without Mothers", Musa ole Shenaai

Monday, July 12, 2010

Short Film Showing at the Lyric Cinema and Cafe


Valhall Arts is pleased to announce our first formal venture into the world of film. A showing of the short documentary film, "Through Our Eyes: A Maasai Photographic Journey" will occur on July 17th at 1:00 pm at the Lyric Cinema and Cafe, (300 E. Mountain Ave, Fort Collins, CO 80524), in conjunction with the current exhibit featured at the gallery. The film, created by Lindsay Simpson and Joana Roque de Pinho, documents the project organized by Roque de Pinho, in which she placed cameras into the hands of the Maasai people of Southern Kenya, allowing them to creatively document their lives and culture. Please visit the website, www.valhallarts.com for more information.

The line-up will be as follows:
1:00 PM Opening short film, "Grasping the Grey Ghost" (Simpson's goshawk documentary set in Arizona on the Grand Canyon, approx. 15 mins.)
1:15 PM Featured Presentation, "Through Our Eyes: A Maasai Photographic Journey" (approx. 30 mins)
1:45 PM Bonus Feature, "Fort Collins Music Experiment" , by Nic Tapia, (approx. 30 minutes)

A suggested donation of $2 is requested.
Hope to see you there!

Sunday, May 23, 2010

National Pinhole Day


After much delay, I have finally scanned and uploaded the images taken on National Pinhole Camera day, which was April 25, 2010. The image was made using a hat box, with three pinholes, and three separate sheets of Ilford photo paper. The photo negatives were scanned and inverted. You can see all the images at www.pinholeday.org, over 3400 images, from all over the world.

Saturday, March 20, 2010

Paintings available through silent auction





If you are interested in any of these paintings, please email me with your bid.
Auction closes May 1, 2010.
(1. The Woman with Abaya and Head Scarf, 2. Girl in the Garden, 3. Eye of Society, 4. The Village Woman)
See more information at www.valhallarts.com

Monday, March 8, 2010

Curatorial Statement

Outsider art is often idiosyncratic, but its merit comes from the pure, spontaneous gestures by the artist, and is created with an “imaginative process generally untouched by external influences”. (John Beardsley, “Imagining the Outsider”, Vernacular Visionaries, edited by Annie Carlano, 2009). Nagma Mohammed Omer, is a Middle Eastern artist who has gone ‘outside’ in her own culture. The beautiful oil paintings, unveiled figurative works, go against the societal and religious expectations of her region, and show the bravery of her creative pursuits with their bold color, expressive lines, and compositional choices. The paintings offer a unique vision into the culture and community of her region. The exhibit is a peaceful and quiet conversation between two cultures, a brief encounter and a chance to gain valuable insight into another way of life.

The traditions of Muslim dress for women in the Middle East have changed throughout history, depending on the region, the ruling leaders, and the political environment. A woman’s dress was often dictated by external factors, and a woman had no personal choice as to how she would present herself in her community. “When this is forced upon people against their will, it is coercive and likely to create a backlash.” (Armstrong, Karen, Islam: A Short History, Great Britain, Weidenfeld & Nicholson, 2000.) However, many Muslim women still chose to wear the abaya, and surprisingly, many of these women have progressive views on matters like gender. They feel “that veiling is a symbolic return to their pre-Columbian period, before their society was disrupted and deflected from its true course.” (Armstrong, K., 2000.) The Islamic faith encourages modesty in dress, for both men and women, and the “shrouded body declares that it is orientated to transcendence, and the uniformity of dress abolishes class difference and stresses the importance of community over Western individualism.” (Armstrong, K., 2000.)

Nagma’s statements indicate that this is an important issue to her, and she is experiencing various pressures from the spiritual and political forces of her culture. The ability for her to express her feelings through her art is unique, and only allowed due to the progressive nature and support of her husband, friends and community. “The fact that Muslims have not yet found an ideal polity for the twentieth century does not mean that Islam is incompatible with modernity.”(Armstrong, K., 2000.) It is through interactions like this exhibit, that a balance between the differences of our cultures, the secular and spiritual values, can be found, and that all people can live freely and pursue their dreams and prosper.

The Middle East is challenged in many ways in this modern age; societal, political and spiritual issues are all close to the heart. In a true spirit of peace, the world must find a way to co-exist, to try to understand and tolerate different mindsets, beliefs and rituals. We must generate an environment where individuals can come together, to exchange knowledge with another culture, and progress to a peaceful future.
~Laura Brent, Director
Valhall Arts

Monday, March 1, 2010

Experiencing the Veil

In preparation for the upcoming exhibition featuring the artworks of a Middle Eastern woman, I don the abaya, getting a glimpse of life in her culture.